After all of this majestic activity, I settled on:
ANTICIPATION
BRAVADO
SHAME
FEAR
ENVY
I chose these five emotions, because they show a range of body language and facial expressions, meaning they would be extremely beneficial for me to work with as I would get used to manipulating the character in a number of ways.
1. Anticipation
With this pose, I wanted the character to look as though he is waiting, or on edge about something. When I'm full of anticipation or anxiety I struggle to keep still, hence why this character looks as though he is twiddling his fingers, with head turned as if he is looking for something. I also played around with the facial expression, which I wanted to slightly distressed.
2. Bravado
I wanted this guy to look confident and sure of himself (sort of as though he wants to announce to the world that he has just entered a room.) I went for quite a broad and out-stretched stance.
3. Shame
I decided to go down the more comical route with this pose, as you can see he is trying to protect his/her modesty. Again, one of the aspects that I paid close attention to was the facial expression. I opened up the mouth and altered the eyes and eyebrows to give off the impression this character is letting of some distress and exasperation.
4. Timid
I took this opportunity to experiment with making the character crouch down and shrink. I wanted him to look fearful and as a result, cowering away from something. I hunched the back and shoulders forwards quite a lot to show that he is terrified. I liked the idea of the face being covered by the hands, but the eyes popping out over the top to look.
5. Envy
This guy is not happy, he's jealous of somebody so I wanted this pose to look as if it aimed at a particular person. I applied some rotation to the shoulders hunched the back forwards to show some serious tension. The hands are rolled into a fist which suggests a lot of anger, as well as the slightly twisted facial expression. I also thought the application of a red material would mirror the emotion quite well!
For these poses I have also played around with the use of spotlight or ambient light, to get an idea of how it effects the shadowing and ambiance of the character.
To sum it all up..
This exercise has really broadened my knowledge of MAYA when it comes to the manipulation of characters and objects. It has also highlighted the importance of rigging because an understanding of the human anatomy is needed to do it effectively! I have a much better understanding of where to apply movement and rotation in order to achieve the desired pose.